杭州电子科技大学图书馆书目检索系统

Online Public Access Catalogue

题名/责任者:

Ariosto in the machine age / Alessandro Giammei.

出版发行项:

Toronto ; Buffalo ; London : University of Toronto Press, 2024.

ISBN:

9781487546793:

ISBN:

1487546793

载体形态项:

xxv, 383 pages : illustrations (some colour) ; 24 cm.

其他载体形态:

Online version: Giammei, Alessandro, 1988- Ariosto in the machine age. Toronto ; Buffalo ; London : University of Toronto Press, 2024 1487546815 9781487546816

丛编说明:

Toronto Italian studies

丛编统一题名:

Toronto Italian studies.

个人责任者:

Giammei, Alessandro, 1988- author.

个人名称主题:

Ariosto, Lodovico,-1474-1533-Influence.

个人名称主题:

Ariosto, Lodovico,-1474-1533-Criticism and interpretation.

论题主题:

Art and literature-Italy-History-20th century.

论题主题:

Motion pictures and literature-Italy-History-20th century.

中图法分类号:

I546.06

书目附注:

Includes bibliographical references and index.

内容附注:

The Great Metaphysician: Ariosto's Encounters with Ferrara's Avant-Garde -- Ludovico's Gifts: The Ariostean Spirit of Magical Realism -- Eternal Renaissance: Ariosto's Presence in Fascist Ferrara -- Theatrical Ghosts: Not Adapting the Orlando Furioso in Late Modernity.

摘要附注:

"Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape magical realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of World War II. Based on substantial archival findings, bold iconographic hypotheses, and novel interpretations of literary texts, the book proposes a new account of Italy's twentieth-century culture through a unique take on Ludovico Ariosto's early modern poetics and legacy. Starting from the unexpected pass鈋ism of Futurists visiting Ferrara on the eve of World War I, it re-reads the development of Giorgio de Chirico's Metaphysical Art and Massimo Bontempelli's Realismo Magico. The book reconstructs the multimedia archive of the Fascist initiatives for the centennial anniversary of Ariosto's death in 1933, and then focuses on the passage between Fascist cinema and the birth of Neorealism, unearthing unfinished adaptations of the Orlando Furioso by Luchino Visconti and Alessandro Blasetti. Questioning the very concept of reception, this radically interdisciplinary book warns twenty-first-century readers about the risks of monumentalizing the "great authors" of the past."--

载体形态附注:

Issued also in electronic format.

豆瓣简介：