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Online Public Access Catalogue

题名/责任者:

Beethoven's theatrical quartets : opp. 59, 74, and 95 / Nancy November.

出版发行项:

Cambridge, UK ; New York : Cambridge University Press, c2013.

ISBN:

9781107035454 :

载体形态项:

xiii, 282 p. : ill., music ; 26 cm.

丛编说明:

Music in context

丛编统一题名:

Music in context.

个人责任者:

November, Nancy.

个人名称主题:

Beethoven, Ludwig van,-1770-1827.-Quartets,-strings.

个人名称主题:

Beethoven, Ludwig van,-1770-1827.-Quartette.-op. 59.

个人名称主题:

Beethoven, Ludwig van,-1770-1827.-Quartette.-op. 74.

个人名称主题:

Beethoven, Ludwig van,-1770-1827.-Quartette.-op. 95.

论题主题:

String quartets-Analysis, appreciation.

论题主题:

Music-Philosophy and aesthetics.

论题主题:

MUSIC / History & Criticism.

中图法分类号:

J605.516

书目附注:

Includes bibliographical references (pages 255-270) and index (pages 271-282).

内容附注:

Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett ': genre, innovation, and 'heroic' voices in op. 59, no. 3 -- Freudvoll und leidvoll : songful impetus and dualistic voice in the 'Harp' Quartet -- 'The quick-witted brevity of the genuine dramatist' -- Op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period string quartets.

摘要附注:

"Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character"--

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