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题名/责任者:

Callimachus in context : from Plato to the Augustan poets / Benjamin Acosta-Hughes and Susan A. Stephens.

出版发行项:

Cambridge ; New York : Cambridge University Press, 2012.

ISBN:

9781107008571

ISBN:

1107008573

载体形态项:

xii, 328 p. : maps ; 24 cm.

个人责任者:

Acosta-Hughes, Benjamin, 1960-

附加个人名称:

Stephens, Susan A.

个人名称主题:

Callimachus-Criticism and interpretation.

个人名称主题:

Callimachus-Appreciation-Rome.

论题主题:

Aesthetics, Ancient.

地理名称主题:

Alexandria (Egypt)-Intellectual life.

中图法分类号:

I545.072

书目附注:

Includes bibliographical references and index.

摘要附注:

"Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"

摘要附注:

"Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"

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