MARC状态:审校 文献类型:西文图书 浏览次数:59
- 题名/责任者:
- Gender, nationalism, and war : conflict on the movie screen / Matthew Evangelista.
- 出版发行项:
- Cambridge ; New York : Cambridge University Press, 2011.
- ISBN:
- 9781107001947 (alk. paper)
- ISBN:
- 9780521173544 (pbk. : alk. paper)
- 载体形态项:
- xiii, 289 p. : ill. ; 24 cm.
- 个人责任者:
- Evangelista, Matthew, 1958-
- 论题主题:
- War films-History and criticism.
- 论题主题:
- Men in motion pictures.
- 论题主题:
- Women-Political activity.
- 论题主题:
- Violence in women.
- 中图法分类号:
- D0
- 书目附注:
- Includes bibliographical references and index.
- 内容附注:
- Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Que
- 摘要附注:
- Virginia Woolf famously wrote as a woman I have no country , suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women s clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.
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