杭州电子科技大学图书馆书目检索系统

Online Public Access Catalogue

题名/责任者:

Art and modern copyright : the contested image / Elena Cooper.

出版发行项:

Cambridge, United Kingdom ; New York, NY : Cambridge University Press, c2018.

ISBN:

9781107179721

ISBN:

1107179726

载体形态项:

xix, 282 pages, 12 unnumbered pages of plates ; 24 cm.

其他载体形态:

ebook version : 9781316846155

丛编说明:

Cambridge intellectual property and information law

丛编统一题名:

Cambridge intellectual property and information law.

个人责任者:

Cooper, Elena, 1978- author.

论题主题:

Copyright-Art-Great Britain.

中图法分类号:

D956.134

书目附注:

Includes bibliographical references and index.

内容附注:

1. Introduction; 2. Art, copyright and 'authors', 1: 1850-62; 3. Art, copyright and 'authors', 2: 1862-11; 4. Art, copyright and collectors: the wrongs that artists commit; 5. Art, copyright and the face: a nineteenth-century publicity right; 6. Art, copyright and the public interest: galleries, printsellers and 'pirates'; 7. Drawing conclusions: images of art and images of copyright.

摘要附注:

"This book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"--

摘要附注:

"The first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"--

豆瓣简介：