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题名/责任者:

Court poetry in late medieval England and Scotland : allegories of authority / Antony J. Hasler.

出版发行项:

Cambridge ; New York : Cambridge University Press, 2011.

ISBN:

9780521809573 (hardback)

ISBN:

0521809576 (hardback)

载体形态项:

x, 253 p. ; 24 cm.

丛编说明:

Cambridge studies in medieval literature.

丛编统一题名:

Cambridge studies in medieval literature.

个人责任者:

Hasler, Antony.

论题主题:

English poetry-Early modern, 1500-1700-History and criticism.

论题主题:

Political poetry, English-History and criticism.

论题主题:

Politics and literature-England-History-16th century.

论题主题:

Politics and literature-Scotland-History-16th century.

论题主题:

Authority in literature.

中图法分类号:

I561.072

一般附注:

Machine generated contents note: Introduction; Part I. Beginnings: 1. Dunbar's aureate allegories and Andre;'s Vita Henrici Septimi; 2. The Bowge of Courte and the birth of the paranoid subject; 3. 'My panefull purs so priclis me': the rhetoric of the self in Dunbar's petitionary poems; Part II. Translative Senses: 4. Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour; 5. Memoires d'outre-tombe: love, rhetoric and Stephen Hawes; 6. Mapping Skelton: 'Esebon, Marybon, Wheston next Barnet'; 7. Conclusion.

书目附注:

Includes bibliographical references and index.

内容附注:

Machine generated contents note: Introduction; Part I. Beginnings: 1. Dunbar's aureate allegories and Andre;'s Vita Henrici Septimi; 2. The Bowge of Courte and the birth of the paranoid subject; 3. 'My panefull purs so priclis me': the rhetoric of the self in Dunbar's petitionary poems; Part II. Translative Senses: 4. Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour; 5. Memoires d'outre-tombe: love, rhetoric and Stephen Hawes; 6. Mapping Skelton: 'Esebon, Marybon, Wheston next Barnet'; 7. Conclusion.

摘要附注:

"This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"

豆瓣简介：