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题名/责任者:

Dimensions of iconicity / edited by Angelika Zirker, Matthias Bauer, Olga Fischer, Christina Ljungberg.

出版发行项:

Amsterdam ; Philadelphia : John Benjamins Publishing Company, c2017

ISBN:

9789027243515:

ISBN:

9027243514

载体形态项:

xiv, 351 pages ; 25 cm.

其他载体形态:

Online version: Symposium on Iconicity in Language and Literature (10th : 2015 : Universit? t T??bingen) Dimensions of iconicity Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2017] 9789027265180

丛编说明:

Iconicity in language and literature, 1873-5037 ; volume 15.

丛编统一题名:

Iconicity in language and literature ; v. 15.

会议名称:

Symposium on Iconicity in Language and Literature (10th : 2015 : Universit? t T??bingen)

附加个人名称:

Zirker, Angelika, editor.

附加个人名称:

Bauer, Matthias, editor.

附加个人名称:

Fischer, Olga, editor.

附加个人名称:

Ljungberg, Christina, editor.

论题主题:

Iconicity (Linguistics)-Congresses.

中图法分类号:

H0-53

一般附注:

Papers presented at the Symposium on Iconity in Language and Literature, held at Eberhard Karls University of T??bingen, between March 26 and 28, 2015.

书目附注:

Includes bibliographical references and indexes.

内容附注:

Introduction -- Phonic dimensions -- Cognitive dimensions -- Multimodal dimensions -- Performative dimensions -- New dimensions of iconicity.

摘要附注:

This volume addresses five different 'Dimensions of Iconicity'. While some contributions examine the phonic dimensions of iconicity that are based on empirical, diachronic and theoretical work, others explore the function of similarity from a cognitive point of view. The section on multimodal dimensions takes into account philosophical, linguistic and literary perspectives in order to analyse, for example, the diagrammatic interplay of written texts and images. Contributions on performative dimensions of iconicity focus on Buddhist mantras, Hollywood films, and the dynamics of rhetorical structures in Shakespeare. Last but not least, the volume also addresses new ways of considering iconicity, including notational iconicity, the interplay of iconicity, ambiguity, interpretability, and the iconicity of literary analysis from a formal semanticist point of view.

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