机读格式显示(MARC)
- 000 02238cam a2200337 i 4500
- 260 __ |a New York, NY : |b Oxford University Press, |c 2021.
- 008 200618s2021 nyua b 001 0 eng
- 020 __ |a 9780190072216: |c CNY1422.83
- 040 __ |a DLC |b eng |c DLC |e rda |d OCLCF |d OCLCO |d BDX |d YDX |d ERASA |d UKMGB |d UIU |d ZAQ |d OCLCO
- 050 00 |a P90 |b .O94 2021
- 245 04 |a The Oxford handbook of entertainment theory / |c edited by Peter Vorderer and Christoph Klimmt.
- 300 __ |a xix, 869 pages : |b illustrations ; |c 26 cm
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 490 1_ |a Oxford handbooks.
- 504 __ |a Includes bibliographical references and index.
- 520 __ |a "This chapter offers some historical and conceptual orientation to readers of the Oxford Handbook of Entertainment Theory. Departing from a brief review of ancient roots and 20th century pioneer works, we elaborate on the state and challenges of contemporary entertainment theory and research. This includes the need to develop a more explicit understanding of interrelationships among similar terms and concepts (e.g., presence and transportation), the need to reflect more explicitly on epistemological foundations of entertaiment theories (e.g., neo-behaviorism), and the need to reach back to past, even historical reasoning in communication that may be just as informative as the consideration of recent theoretical innovations from neigboring fields such as social psychology. Finally, we offer some reflections on programmatic perspectives for future entertainment theory, which should try to harmonize views from the social sciences and critical thinking, span cultural differences in entertainment processes, and keep track of the rapid technological progress of entertainment media"-- |c Provided by publisher.
- 650 _0 |a Mass media |x Philosophy.
- 650 _0 |a Amusements |x Philosophy.
- 700 1_ |a Vorderer, Peter, |e editor.
- 700 1_ |a Klimmt, Christoph, |e editor.
- 830 _0 |a Oxford handbooks.