机读格式显示(MARC)
- 000 03036cam a2200361 a 4500
- 008 130925s2013 enkag b 001 0 eng
- 020 __ |a 9781107035454 : |c CNY593.75
- 040 __ |a DLC |e rda |b eng |c DLC |d YDX |d BTCTA |d UKMGB |d OCLCO |d YDXCP |d CHVBK |d PUL |d COO
- 050 00 |a ML410.B4 |b N948 2013
- 082 00 |a 785/.7194092 |2 23
- 100 1_ |a November, Nancy.
- 245 10 |a Beethoven's theatrical quartets : |b opp. 59, 74, and 95 / |c Nancy November.
- 260 __ |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c c2013.
- 300 __ |a xiii, 282 p. : |b ill., music ; |c 26 cm.
- 490 1_ |a Music in context
- 504 __ |a Includes bibliographical references (pages 255-270) and index (pages 271-282).
- 505 0_ |a Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett ': genre, innovation, and 'heroic' voices in op. 59, no. 3 -- Freudvoll und leidvoll : songful impetus and dualistic voice in the 'Harp' Quartet -- 'The quick-witted brevity of the genuine dramatist' -- Op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period string quartets.
- 520 __ |a "Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character"-- |c Provided by publisher.
- 600 10 |a Beethoven, Ludwig van, |d 1770-1827. |t Quartets, |m strings.
- 600 17 |a Beethoven, Ludwig van, |d 1770-1827. |t Quartette. |n op. 59. |2 gnd.
- 600 17 |a Beethoven, Ludwig van, |d 1770-1827. |t Quartette. |n op. 74. |2 gnd.
- 600 17 |a Beethoven, Ludwig van, |d 1770-1827. |t Quartette. |n op. 95. |2 gnd.
- 650 _0 |a String quartets |x Analysis, appreciation.
- 650 _0 |a Music |x Philosophy and aesthetics.
- 650 _7 |a MUSIC / History & Criticism. |2 bisacsh.
- 830 _0 |a Music in context.