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- 000 02404cam a22004574a 4500
- 008 100910s2009 enk b 001 0 eng
- 016 7_ |a 015376726 |2 Uk
- 020 __ |a 9780745646435 (hbk.)
- 020 __ |a 0745646433 (hbk.)
- 020 __ |a 9780745646442 (pbk.)
- 020 __ |a 0745646441 (pbk.)
- 035 __ |a (OCoLC)ocn320316096
- 040 __ |a UKM |c UKM |d YDXCP |d BTCTA |d BWK |d CDX |d C#P |d HNW |d GUA |d NTE |d BWX |d DEBBG |d WAU |d HNW |d DLC
- 050 00 |a BH301.P78 |b R3613 2009
- 240 10 |a Inconscient esthe
- 245 14 |a The aesthetic unconscious / |c Jacques Rancie
- 260 __ |a Cambridge ; |a Malden, MA : |b Polity, |c c2009.
- 300 __ |a v, 95 p. ; |c 19 cm.
- 504 __ |a Includes bibliographical references and index.
- 505 0_ |a What Freud has to do with aesthetics -- A defective subject -- The aesthetic revolution -- The two forms of mute speech -- From one unconscious to another -- Freud's corrections -- On various uses of detail -- A conflict between two kinds of medicine.
- 520 __ |a This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of the thought that does not think, and the power of the speech that remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's "aesthetic" analyses reveal instead a tension between the two forms of unconscious. --From publisher's description.
- 600 10 |a Freud, Sigmund, |d 1856-1939 |x Aesthetics.
- 650 _0 |a Aesthetics |x Psychological aspects.
- 650 _0 |a Subconsciousness.
- 650 07 |a Unbewusstes. |2 swd
- 700 1_ |a Swenson, James.