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- 000 03323cam a2200385 a 4500
- 008 100723s2011 enk b 001 0 eng
- 020 __ |a 9780521809573 (hardback)
- 020 __ |a 0521809576 (hardback)
- 035 __ |a (OCoLC)650505695
- 040 __ |a DLC |c DLC |d YDX |d YDXCP |d EQO |d CDX |d BWX
- 043 __ |a e-uk-en |a e-uk-st
- 050 00 |a PR525.H5 |b H37 2011
- 082 00 |a 821/.3093581 |2 22
- 100 1_ |a Hasler, Antony.
- 245 10 |a Court poetry in late medieval England and Scotland : |b allegories of authority / |c Antony J. Hasler.
- 260 __ |a Cambridge ; |a New York : |b Cambridge University Press, |c 2011.
- 300 __ |a x, 253 p. ; |c 24 cm.
- 490 1_ |a Cambridge studies in medieval literature.
- 500 __ |a Machine generated contents note: Introduction; Part I. Beginnings: 1. Dunbar's aureate allegories and Andre;'s Vita Henrici Septimi; 2. The Bowge of Courte and the birth of the paranoid subject; 3. 'My panefull purs so priclis me': the rhetoric of the self in Dunbar's petitionary poems; Part II. Translative Senses: 4. Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour; 5. Memoires d'outre-tombe: love, rhetoric and Stephen Hawes; 6. Mapping Skelton: 'Esebon, Marybon, Wheston next Barnet'; 7. Conclusion.
- 504 __ |a Includes bibliographical references and index.
- 505 8_ |a Machine generated contents note: Introduction; Part I. Beginnings: 1. Dunbar's aureate allegories and Andre;'s Vita Henrici Septimi; 2. The Bowge of Courte and the birth of the paranoid subject; 3. 'My panefull purs so priclis me': the rhetoric of the self in Dunbar's petitionary poems; Part II. Translative Senses: 4. Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour; 5. Memoires d'outre-tombe: love, rhetoric and Stephen Hawes; 6. Mapping Skelton: 'Esebon, Marybon, Wheston next Barnet'; 7. Conclusion.
- 520 __ |a "This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"
- 650 _0 |a English poetry |y Early modern, 1500-1700 |x History and criticism.
- 650 _0 |a Political poetry, English |x History and criticism.
- 650 _0 |a Politics and literature |z England |x History |y 16th century.
- 650 _0 |a Politics and literature |z Scotland |x History |y 16th century.
- 650 _0 |a Authority in literature.
- 830 _0 |a Cambridge studies in medieval literature.