机读格式显示(MARC)
- 000 03953cam a2200385 a 4500
- 008 120203s2012 nyua b 001 0deng
- 040 __ |a DLC |b eng |c DLC |e rda |d DLC
- 050 00 |a PS3537.T4753 |b Z874 2012
- 082 00 |a 811/.52 |a B |2 23
- 093 __ |a K837.125.6 |2 5
- 245 00 |a Wallace Stevens, New York, and modernism / |c edited by Lisa Goldfarb and Bart Eeckhout.
- 260 __ |a New York ; |a London : |b Routledge, |c 2012.
- 300 __ |a 184 p. : |b ill. ; |c 24 cm.
- 490 0_ |a Routledge studies in twentieth-century literature ; |v 24
- 504 __ |a Includes bibliographical references and index.
- 520 __ |a "This unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens' life, both at a biographical and poetic level"
- 520 __ |a "This unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens' life, both at a biographical and poetic level."
- 600 10 |a Stevens, Wallace, |d 1879-1955 |x Homes and haunts |z New York (State) |z New York.
- 600 10 |a Stevens, Wallace, |d 1879-1955 |x Knowledge |z New York (N.Y.)
- 600 10 |a Stevens, Wallace, |d 1879-1955 |x Criticism and interpretation.
- 650 _0 |a Poets, American |y 20th century |v Biography.
- 650 _7 |a LITERARY CRITICISM / American / General. |2 bisacsh
- 650 _7 |a LITERARY CRITICISM / Poetry. |2 bisacsh
- 650 _7 |a LITERARY CRITICISM / General. |2 bisacsh
- 651 _0 |a New York (N.Y.) |x Intellectual life |y 20th century.
- 651 _0 |a New York (N.Y.) |x In literature.
- 700 1_ |a Goldfarb, Lisa, |e editor of compilation.
- 700 1_ |a Eeckhout, Bart, |d 1964- |e editor of compilation.